Resurrection Sunday 2013

After ending in silence on Good Friday, it seemed to me that beginning with a bang on sunday morning felt a little disingenuous, as if it was so dark and then all of a sudden Jesus jumped up and said “fooled you!” So we began Easter quietly, and built from silence to volume through our live opener. “Redemption Song” is a beautiful piece, written and performed by Adie Camp, it also seemed appropriate that we begin with a female singer; the Marys were the first to bear witness (even to the disciples), why not allude that that as we began our gathering of celebration?

Weapons have been replaced by new life

One of the things I love about big celebratory holidays is that we get to sing more; the preaching, great as that can be, takes a more supportive role in telling the story, but we don’t generally celebrate by listening. No, celebration happens when we sing, we dance, we eat, we play. Our gathering this year reflected this, I think, fairly well. Six pieces of music instead of our usual four or five, some liturgy to tie them together, and a shorter message about living the resurrection (instead of simply believing it).

Something we did new this year was including kids second-grade and older in the entirety of our two modern gatherings. While kids usually enjoy singing with their family, they do tend to have a harder time paying attention during speaking portions (and particularly a grown-up sermon, although you might be surprised what they’ll pick up if they’re coloring while they listen). So our children’s director had the brilliant idea to pass out some activity bags to those who wanted them as we received the offering; giving and receiving all at the same time, in both directions. Well-received, and no crying during the message.

A cross that has me thinking

The sanctuary looked great (my creative team outdid themselves again), but my favorite piece - aside from all the brilliant color - was the cross itself. The cross has been “growing flowers” over the course of this last sermon series. What started out as a “hey, that looks cool” sort of idea has taken on some pretty deep meaning to me; death has been overcome, and live is taking its place. The symbolism of flowers growing on top of a former instrument of painful execution is many-layered, and I hope people keep that image in their mind for a long time to come; it certainly has kept me thinking.

I get to work with an amazing team of people

But thing that got me most excited this year was our new choir. The modern gathering has never had a choir of its own before, but this choir was more than a simple group to back up the worship team. This choir was intergenerational; we had a three-year-old, grade school kids, teenagers, and all ages of adults involved. Whole families sang together as part. And they were so, so good; they led our congregation with passion from the risers, and I can’t wait to find a way to do this with them again!

Here’s what Resurrection Sunday looked like, in a nutshell:

Traditional Gathering (8am)

Organ and Piano duets | Prelude
Welcome
Christ the Lord is Risen Today
Come, Christians, Join to Sing Responsive Liturgy Christ Arose
Worship Christ the Risen King
We Shall Behold Him / Hallelujah Chorus Medley | Choral Offertory
Doxology, Prayer for the People, and the Lord’s Prayer
The Easter Story | Video
Homily
Because He Lives
Benediction
Organ and Piano Duets | Postlude

Modern Gatherings (9:30 and 11am)

Redemption Song | Adie Camp
Welcome
My Savior Lives | New Life Worship, with choir
Beneath the Waters (I Will Rise) | Brooke Fraser, with choir
Responsive Liturgy
10,000 Reasons (Bless the Lord) | Matt Redman
Christ is Risen | Matt Maher
The Easter Story | Video during offering
Homily
Christ Arose | arr. Brookwood Church
Benediction

The sanctuary on Easter morning

Tenebrae | Shadows 2013

The Cross hung with black cloth; Christ has died ...

The tenebrae gathering is a 13th-century liturgical gathering intended for Good Friday as a lament. In gathering together in this way, we join in solidarity for the suffering of our world, our communities, and our congregation by entering the narrative of the suffering and death of our savior. In the narrative of passover to grave, we begin to see how Jesus' suffering identifies with our own, and with that of others. The man of sorrows is never more human, yet never more divine as He redeems even our pain and suffering. Seven candles and seven readings make the bulk of the gathering; after each reading, a candle is extinguished, and the room grows increasingly darker. As the darkess takes hold, the music, too, grows quieter, until we finish our gathering in complete silence following the tolling of the bell, seven times, the biblical number of completion.

The table of the candles

Traditionally, the last candle is walked out of the sanctuary still lit, but since we had already modified the gathering in a few other ways (notably some of the scriptures and readings, and the order takes a more complex literary format by using a "flashback" for communion), I decided to completely snuff it and finish the story - Christ did die, after all, so it seemed appropriate.

Yes, that is a real sword, and yes, it does hang in my office. I'm awesome that way.

One thing I'm rather proud of are several pieces I wrote and arranged myself; "Lament (ReCreate Us)" is an original, written for the C3 congregation during a particularly rough patch for us when many families were losing loved ones (it was something like 20 families in three months). Also "Alas and Did My Savior Bleed" is an original arrangement (I'm told that's not an oxymoron). The hymn itself is originally in a major key, which to my ears sounded ... off. In fact, the lyrics and the melody were such a mismatch, I almost didn't use it. But when I simply changed the whole song into harmonic minor (which does slightly alter the melody), the song came alive. Both were really well received.

 Here’s what the whole gathering looked like for us this year.

Lament (ReCreate Us) | Chris Logan
Call to Worship | Covenant Book of Worship
The Power of Your Name | Lincoln Brewster
The Shadow of Prophesy | Isaiah 53, abridged
The Shadow of the Passion | Luke 23:26-43
The Wonderful Cross | arr. Chris Tomlin
The Shadow of the Suffering Servant | Matthew 27:45-49, Psalm 22, abridged; responsive
The Shadow of Grief | John 19:25-27
Alas and Did My Savior Bleed | arr. Chris Logan
Litany of Confession and Pardon (responsive)
The Shadow of Betrayal | Matthew 26:17-30
He Never Said a Mumblin’ Word | Choir; pass out communion elements
The Shadow of Communion | Covenant Book of Worship Unity Litany, responsive
Partake in Communion Together
O Vos Omnes | Choir
O Sacred Head, Now Wounded | arr. Fernando Ortega
The Shadow of the Grave | Luke 23:44-49, John 19:38-42
Ring a bell seven times | leave in silence

The full scope of the sanctuary